In Crosshair the criminals are trying to kill a player controlled VIP on the cops side who is a former gang member turned states witness. Crosshair is also 3 minutes long, 5 vs 5 with only one life. Crosshair: The second competitive game mode in Battlefield Hardline.Each player has only one life in this mode, which means no respawns. Criminals win by killing all the cops, or defending the hostages until the negotiations are over. The cops win by either rescuing the hostage(s) or by killing all the criminals. officers must try to rescue hostages held by criminal forces. Rescue: In a 3 minute long 5 vs 5 competitive mode, S.W.A.T.The team who reduces the other's to zero or who has the most tickets remaining after the time limit wins. Like Conquest, capturing cars (done by driving above a certain "cruising" speed) will bleed the enemy team's reinforcement tickets. Hotwire: Drivable cars take the role of traditional Conquest "flags".The team that first deposits $5 million worth of money into their truck or the team with the most money under a time limit wins. Players can also steal money from the opposing team's truck. Blood Money: Both factions must retrieve money from an open crate in the center of the map, then move it back to their respective side's armored truck.If the Criminals manage to escape by bringing all the money to the extraction point, they win. Heist: The criminals must break into a cash filled vault (or as featured in some maps, blow open the doors of an armoured truck) then move the cash filled packages to an extraction point the police must stop them.Many new game modes are featured in Hardline, including "Heist", "Rescue", "Hotwire", "Blood Money", and "Crosshair" Mode. This time, every map features multiple Levolution events, both small and large.
For example, in the map "Downtown" players can send a construction crane crashing into the building, ripping down debris from the central buildings in downtown, which falls down on the streets of Los Angeles. Hardline also uses the "Levolution" mechanic from Battlefield 4. Players have access to various military-grade weapons and vehicles, such as the Lenco BearCat, as well as having police equipment such as tasers and handcuffs. As such, the main factions in Hardline are the police Special Response Units and criminals. Retrieved August 22, 2021.The focus of the game is the " war on crime", breaking away from the military setting that characterized the series. "KRS-One gets political: What's fake and what's real in politics?".
^ Zaru, Deena Lee, Alex (August 16, 2017).On February 3, 2012, hacker group Anonymous defaced the Boston Police Department's web page, replacing it with an embedded version of KRS-One's "Sound of da Police" music video and a message criticizing the department's treatment of the Occupy Boston movement. The hip hop duo Suprême NTM later sampled the chorus on their album Live. A remix of the song by DJ Cut Killer was featured in the soundtrack of the film La Haine. The song is well known in France, where the chorus is commonly misinterpreted as " assassins de la police". The song plays over the final scenes and closing credits of season 3, episode 2 of Sex Education. The 'Whoop whoop, sound of da police' hook has been referenced by ska punk band Sonic Boom Six on their track "Piggy in the Middle", by Body Count on their song "Black Hoodie" and in metal band Skindred on the title track of their 2002 debut album Babylon.
BATTLEFIELD HARDLINE EPISODE 1 HOP HOP MUSIC TV
It has appeared in the TV show Brooklyn Nine-Nine.
BATTLEFIELD HARDLINE EPISODE 1 HOP HOP MUSIC MOVIE
It was featured as an in-game radio selection in the 2015 video game Battlefield Hardline (by Electronic Arts), and was used for the end credits of the 2016 movie Ride Along 2 and in the 2016 published The Angry Birds Movie soundtrack. The song was featured in the American films Cop Out, Tag, Black and Blue, and the British film Attack the Block. The music video was directed by Michael Lucero. Part of the drum track is taken from " Sing a Simple Song" by Sly and the Family Stone. The heavy bass sample loop, and part of a guitar solo were taken from Grand Funk Railroad's cover of " Inside-Looking Out", the final track of their LP Grand Funk. It begins with KRS-One whooping twice to evoke a police siren (the "sound of the police") this recurs several times throughout the song. The song criticizes police brutality and systemic racism.
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